This from, thecarpetbaggerreport.com (hmm, has a ring to it) describing then Gov Bush's emotional connection to a painting he kept in his office entitled, A Charge To Keep:
In 1995, he issued a memo to his Texas staff, describing the painting, by W.H.D. Koerner in 1916, which he kept on his office wall. Bush told his aides:
The reason I bring this up is that the painting is based upon the Charles Wesley hymn “A Charge to Keep I Have”. I am particularly impressed by the second verse of this hymn. The second verse goes like this: “To serve the present age, my calling to fulfill; O may it all my powers engage to do my Master’s will”
...When you come into my office, please take a look at the beautiful painting of a horseman determinedly charging up what appears to be a steep and rough trail. This is us. What adds complete life to the painting for me is the message of Charles Wesley that we serve One greater than ourselves.
He liked all of this so much, Bush used the title for his autobiography (which he admittedly did not write). He even brought the picture with him to Washington upon taking office.
The funny part is the truth about the painting and what it represents. In his new book, “The Bush Tragedy,” Jacob Weisberg explains:
[Bush] came to believe that the picture depicted the circuit-riders who spread Methodism across the Alleghenies in the nineteenth century. In other words, the cowboy who looked like Bush was a missionary of his own denomination.
Only that is not the title, message, or meaning of the painting. The artist, W.H.D. Koerner, executed it to illustrate a Western short story entitled “The Slipper Tongue,” published in The Saturday Evening Post in 1916. The story is about a smooth-talking horse thief who is caught, and then escapes a lynch mob in the Sand Hills of Nebraska. The illustration depicts the thief fleeing his captors. In the magazine, the illustration bears the caption: “Had His Start Been Fifteen Minutes Longer He Would Not Have Been Caught.”
15 minutes? Saddle up! He's getting away.


